Rob and Tiffany had a two-bedroom, one-story house with a flat roof from the 1950s. They wanted more space, but also
something unusual. They saw the giant monstrosities going up around them and cringed. They wanted their home to
reflect their values.
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During the first design meeting, as they spoke of roof planes, sloped ceilings, exposed beams, green design and my hero Frank Lloyd Wright, I knew this was going to be a good one. |
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Rob and Tiffany brought a lot of general and specific ideas to the design table. They just needed my help in putting
it all together. I produced conceptual variations on our theme involving tiered roofs, clerestory windows and
horizontality. Rather than slap a stone facade on just the front (which looks great in carefully-crafted brochure
pictures - until you move a few steps to the side and see the thin edge of veneer), we used stone, stucco and siding
to create layers of texture. Coming out of the ground is a stone base, above that a band of stucco, and above that,
siding. All the layers wrap around the house - emphasizing horizontality. Further hierarchy is created by pulling
the stone base forward and out to the side as a planter. The planter wraps around the side and anchors a massive
stone chimney in the living area.
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Coming out of the ground is a stone base, above that a band of stucco, and above that, siding. All the
layers wrap around the house - emphasizing horizontality.
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From the Tower's loft you can see over the Entry roof out the front to the street, down on the Living Area and stairs, and across to the Master Suite's interior balcony. |
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Looking down from the Tower loft to the Kitchen
Looking from the Kitchen to the Foyer and Tower |
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If your aim is good, you can launch a paper airplane from the
loft, across the Living area, under the Master Suite balcony and into the Kitchen.
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To the left, over a railing and down two steps is the Living
Area, and to the right is a Coat Closet. Straight ahead are cantilevered stairs,
like 11 (extremely rigid) diving boards projecting from the wall, leading to the
upper level.
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